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Karl Briullov Portrait of Anna Schwarz oil painting


Portrait of Anna Schwarz
Painting ID::  39515
Karl Briullov
Portrait of Anna Schwarz
mk149 1833-35 Watercolour on cardboard 21.3x16.5cm

   
   
     

Karl Briullov Portrait of Maria Kikina oil painting


Portrait of Maria Kikina
Painting ID::  39516
Karl Briullov
Portrait of Maria Kikina
mk149 1821-22 Oil on canvas 82.6x71.7cm

   
   
     

Karl Briullov Portait of Kirrill and Maria Naryshkin oil painting


Portait of Kirrill and Maria Naryshkin
Painting ID::  39517
Karl Briullov
Portait of Kirrill and Maria Naryshkin
mk149 1827 Watercolour on paper 44.1x35.4cm

   
   
     

Karl Briullov Portrait of Olga davydova with Her Daughter Natalia oil painting


Portrait of Olga davydova with Her Daughter Natalia
Painting ID::  39518
Karl Briullov
Portrait of Olga davydova with Her Daughter Natalia
mk149 1834 Oil on canvas 195x126cm

   
   
     

Karl Briullov Portrait of Alexander Lovo oil painting


Portrait of Alexander Lovo
Painting ID::  39519
Karl Briullov
Portrait of Alexander Lovo
mk149 1824 Oil on canvas 62.3x49.5cm

   
   
     

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     Karl Briullov
     Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.

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     | Louis-Francois, Baron Lejeune | Geskel Saloman | Santo Peranda |


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